In 1977, Leela Bordia visited the slum areas nearby the Jaipur city side. What she saw made her weep. The poverty there was unbearable and people were leaving in hord es for the city in search of work. They ended up in the city slums and became the urban poor. Self-respecting, proud farmers now either became day laborers, or pedaled cycle rikshas in the scorching sun for a paltry sum of money. Some women were even forced into prostitution just to feed their families. Leela was devastated at the living conditions these people were having to endure and was determined to figure out a way to help. One day, an old lady approached Leela and asked for some money to buy medicine, Leela readily agreed and gave the money to the lady. After a few days, this same lady and others came asking for money again. Le ela reflected on the situation and thought that it was best that instead of giving the people money she should figure out a way to help them make their own living. Later that week while in the village she discovered some craftsmen making exquisite pottery. They made pots and vases and painstakingly hand painted them in patterns that were perhaps a thousand years old. "You have so much talent. Such a beautiful craft. Then why are you so poor?" she asked. "Because nobody wants to buy our pots any more," they said. "Our craft is dying and more and more craftsmen are going to the cities in se
arch of work. " Leela quickly realized that this was the opportunity to help the people, to create new jobs, and improve their living conditions. She said to them: Let's work together. You make your products and I will help you sell them. The potters liked the idea, but they were still skeptical at trusting an outsider. In addition Leela also knew she would have to convince the potters to break from tradition and make new, more marketable designs. This was her toughest challenge. Leela spent two years watching and talking to the craftsmen, offering suggestions, telling them to make utility items, but for two years they wouldn't listen. Then finally, a potter named Kailesh came to Leela and agreed to work with her designs. Soon Leela, met a French buyer named Paul Comar. He saw the potential in Leela's
work and placed an order for extravagant Blue Pottery bead curtains that he would sell in his Paris retail store. He paid 50,000 rupees in advance for the order. Leela and Kailesh worked as quickly as possible, finished the curtains and sent them to Paul. The project didn't turn out as planned, the beads were lower quality than Paul expected so he couldn't sell them in his shop. Leela had planned for reorders so she ended up being stuck with two big sacks filled with hundreds of beads. Leela did not give up though; she decided to make necklaces out of the beads. So Kailesh made the necklaces for her and she displayed them for sale at a retail shop named Anokhi. At the time the movie "Far Pavillions was being filmed. While the necklaces where still lying on the counter to be displayed, a few actresses from the movie came in the store, saw the necklaces and bought them all! "After this moment, I never looked back!" Leela said. She continued working with Paul Comar, who as it turned out became a life long friend and mentor to Leela. She took Paul's advice and mixed it with her own creativity to develop hundreds of new products that served as utility items, yet maintained the identity of the Blue Pottery craft. From one potter to over 150 potters, the business excelled thanks to the new products and high quality standards that Leela insisted upon. That was the beginning of Neerja International and the rejuvenation of the Blue Pottery craft. Named after Leela's younger sister Neerja, the company today provides work for thousands of craftsmen. The future of Blue Pottery looks better than ever. Hundreds of new designs are being made each year and the craftsmen have successfully passed on the craft to their second and even third generations, ensuring that the craft will continue to thrive for many years to come.